I just recently got back from leading a tour in Oaxaca and the surrounding area for over a week followed by five days in Mexico City. Every day was a phenomenal adventure, not to mention the unbelievable cuisine!
A special treat was the exhibition of Great Masters of Mexican Popular Art that had just opened. An exceptional collection over the span of twenty years put together by Banamex. Housed in the beautiful Iturbide Palace, there are over 5,000 pieces of folk art created by more than 500 "Grand Masters" from all 32 states of Mexico.
It was exciting for me, since I have traveled to many of the various states and villages, met with the artisans and have bought numerous pieces of folk art directly from the artisan over the years.
You will find all kinds of works made of clay, natural fibers, metals, wood, textiles, stone...
Works by the Aguilar family in Ocotlan de Morelos. I always like to add a figure or two to my collection every time I am in Oaxaca.
I was just in Ocotlan de Morelos with my group and this is a photo of the actual church.
Ceramics from Dolores Hidalgo, Guanajuato and Dolores Hidalgo.
An intricate Tree of Life made of clay from Metepec in the state of Mexico.
A Catrina from Capula, Michoacan. I love the that she is a nun.
Jose Guadalupe Posada was a famous illustrator in Mexico and a friend of Diego Rivera. He reached the peak of his artistic
skills with the creation of the Calavera, the skeleton, as part of a
political satire.
This well known image of La Calavera Catrina is an etching that he did in 1913. The Catrina, a conceited female dandy, mocks the European-influenced ruling, upper class during the reign of Porfirio Diaz. The word Catrina is the feminine form of the word catrin,
which means elegant. Today, the Catrina is one of the most popular
figures of the Day of the Dead celebrations and a symbol that has been
mass produced.
The show is so beautifully displayed.
The tower of beautifully painted and burnished clay pots from Chilchota, Huancito and Patamban in the state of Michoacan. Both places I have visited. This is a technique brought from the old world, influenced by Don Vasco de Quiroga, the first bishop in Michoacan in 1531.
Clay roosters from Amatenango del Valle, Chiapas. Another area that I have frequented often, especially to visit the numerous Maya archaeological sites.
The pots above and Jaguars are also from Amatenango del Valle, Chiapas.
The black, burnished pots are from Oaxaca, from the villages of Oaxaca de Juarez and San Bartolo Coyotepec. This black clay (Barro Negro) is achieved through its firing process. During the firing process, more fuel is added to the kiln and all the pores in the clay are closed. As a result, the smoke has no place to escape, thus seeping in the clay and staining it black.
Clay pieces from Colima depicting those from pre-Hispanic times. Especially the hairless Mexican dog, the Xoloitzcuintli. Xolo for short, DNA evidence has been found in Aztex, Maya, Colima, Toltec and Zapotec ruins dating back 3,500 years that these dogs were part of their culture.
Such a typical scene by the Linares family from Mexico City.
Beautifully burnished ceramics from Tonala, Jalisco.
Carved and polished wood chests along with the striking spoons and holder from Patzcuaro, Michoacan.
The alabrijes, animals carved from the copal wood, sanded smooth and then intricately painted. Mainly from the towns of Arrazola and San Martin Tilacajete in the state of Oaxaca created by some of the famous wood-carver masters such as Manual Jimenez Ramirez and Jacobo and Martin Melchor Angels.
I vividly remember the day, years ago, when I was with my parents when we were in this small village, Tamazulapan del Espiriua Santo in the state of Oaxaca when my mom bought a similar pot with the two mouths. Such a simple but elegant pot.
The black burnished figures were made by Magedelena Pedro Martinez in San Bartolo Coyotepec, so striking, she is such an artist!.
And the bowl from Huejulta de Reyes, Hidalgo. Fashioned after antique ones, the bottom is slightly indented so it can rest on top of ones head for transporting water.
A marimba from Chiapa de Corzo in Chiapas. A charming small village that I take my groups to when in Chiapas. We spend our first night there after arriving from the states and the next morning we venture up the Canon de Sumidero in our own private boat. The scenery is breathtaking.
The guitars are from Jatipan and Tlacotalpan in Veracruz and Paracha in Michoacan. I know Paracha well, for I used to work with a very talented woodworker who carved mantel surrounds from my full scale drawings for me for my design clients in Denver. He also made quite a few pieces of furniture for me and my clients.
I have inherited my mom's love of baskets! I have one identical to the top left that I use for picnics. The ones on the bottom right are woven by the Tarahumara Indians in the state of Chihuahua.
Long ago, my parents bought a basket just like the one dead center, but larger, from an artisan in the town of Tenecingo, Mexico. The basketry is just spectacular.
Such handsome saddles. I can not remember where they are from. Maybe Leon, Guanajuato which is known for its leather.
Talk about elegant table settings!
Such a detailed pieces by Dionisia Ferrer from Tenango de Doria.
The
Otomi , an indigenous group from central Mexico, in Tenango de Doria, in the
state of Hidalgo create some of the most colorful, creative embroidery. The Otomi are believed to have lived in the Valley, way before the
Nahuati speaking population that would later become the Aztec Empire.
The name Otomi comes from Nahuati word origins, Otoac (walk) and mitl
(arrow). When combined, forms "Ootomitl", later becoming Otomi meaning
"those who hunt birds with bow and arrow. Tenango,
"stone neighborhood", is home to numerous caves with petroglyphs of
animals, flora and fauna. These images were inspirations to the Otomi's
embroidery.
I have always loved the plain brown dishes from San Marcos Tlapazola, Oaxaca. Just so handsome.
Up on the second floor, the textiles are unbelievable. Another one of my favorites. Many of the rebozos are from Tenancingo in the state of Mexico.
The center purse, in ivory and sage-green, is made by a lovey artist, Crispinia Navarro Gomez. I just recently visited her and the rest of the Navarro family with my group when we were in Santo Tomas Jalietzo, Oaxaca. And many in my group bought table runners and place mats that were woven by all the Navarro women.
A beautiful example of a tapestry that was dyed using Cochineal.
The
Grana Cochinilla Fina, commonly known as simply Cochineal, is a vibrant
red dye produced from the female scale insect (Dactylopius Coccus)
that lives on and feeds off the the pads of the Nopal cactus. The dye
is produced after the insects are dried and ground up. It takes 70,000
insects to make one pound of dye!
From
1750 to 1810, Oaxaca was the world capital for its export of Cochineal
to other areas of the world: Europe, Asia and Africa. After gold and
silver, this was the next valuable commodity. It was first shipped to
Spain in 1526, just after the conquest and soon became the most popular
dye of choice.
Many of these rebozos are from the state of Michoacan.
I love wearing my Mexican Huipils! Such craftsmanship, just beautiful. This center Huipil is from San Bartolome Ayautla, Oaxaca.
More stunning Huipils from the states of Chiapas, Guerrero, Oaxaca and Yucatan. Thank goodness the shop was not open when we were there, or I may have had to buy another suitcase.
Colorful Quechquemitles, cape-like poncho-like upper-body coverings. One of the more unique traditional garments of pre-Hispanic Mexico.
The blue Quechquemitl is from the state of Puebla. Next October, Puebla will be part of my Mexico City and Oaxaca tour... Stay tuned, the itinerary will be on my Blog soon.
Blouses from the state of Puebla.
A variety of serapes, mostly from Tlaxcala.
A close up of a serape from Saltillo, Coahuila.
I have barely touched on the collection at the Iturbide Palace. I could have spent a few more hours there but we had more things to see and do when in Mexico City. Such a vibrant, cosmopolitan city.
Not only was the collection phenomenal, the Palacio de Iturbide is one of the best colonial, Baroque buildings in the city. Built around 1780, it was once the home of the first emperor, Augustin de Iturbide, to Mexico after Mexico's independence from Spain. Later it was a convent, a college and then a hotel before Banamex purchased it. It re-opened as the “Palacio de Cultura Banamex.” and today it hosts numerous temporary art exhibitions, as well as art workshops
for adults and children.
Great Masters of Mexican Popular Art
Through the end of May 2020.
Monday - Sunday
10am - 7pm
Admission is free.
Palacio de Cultura Banamex
Calle Madero 17
Centro Historico
Mexico City
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